Trouble in Paradise (La Roux album)Trouble in Paradise is the second studio album by English singer Elly Jackson, known professionally as La Roux. It was released on 1. Watch Good Tidings Online Fandango. July 2. 01. 4 by Polydor Records.

La Roux originally consisted of Jackson and producer Ben Langmaid, who collaborated during the earlier stages of production. However, Jackson was left to complete the record in early 2. Langmaid departed from the group in early 2. Consequently, she partnered with producer Ian Sherwin during the later stages of production. Their efforts resulted in a primarily new wave record, which Jackson described as being "warmer" and "sexier" than her debut studio album, La Roux (2. Upon its release, Trouble in Paradise received positive reviews from music critics, who commended La Roux's shift in musical style and viewed it as an improvement on its predecessor. The album debuted at number six on the UK Albums Chart with first- week sales of 8,3.

It debuted at number 2. Billboard 2. 00 in the United States, where it also became La Roux's first album to top the Dance/Electronic Albums chart. Uptight Downtown" was released as the lead single from the album, peaking at number 6. UK Singles Chart. Kiss and Not Tell" was released as the album's second single, but failed to chart. Background and recording[edit]In an interview with BBC Radio 6 Music on 2. November 2. 00. 9, La Roux frontwoman Elly Jackson announced that she and Ben Langmaid had plans to start writing material for the duo's second album at their manager's house in France over the Christmas period.[1] It was reported in December 2.

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2. Trouble in Paradise is the second studio album by English singer Elly Jackson, known professionally as La Roux. It was released on 18 July 2014 by Polydor Records.
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Jackson and Langmaid were working on La Roux's second album in a studio in the English countryside.[2] According to Jackson, recording for Trouble in Paradise began in the second quarter of 2. The first song recorded for the album was "The Feeling", dating back to around 2. Jackson began to suffer panic attacks due to extensive touring in support of La Roux's eponymous debut album,[4] and after finishing touring in early 2. After months of seeing throat specialists, she was diagnosed with residual muscle tension caused by a form of performance anxiety.[5] With the aid of a performance anxiety specialist, it took two years for Jackson to overcome her vocal problems.[4] In 2. Jackson played three low- key comeback shows in Brighton (2.

March), Bristol (2 April) and Coventry (5 April). During her show in Brighton, she debuted four new songs that would eventually be included on Trouble in Paradise: "Uptight Downtown", "Kiss and Not Tell", "Sexotheque" and "Tropical Chancer".[6][7] Jackson also performed at Coachella in April 2.

In May 2. 01. 4, it was confirmed that Jackson had parted ways with bandmate Ben Langmaid in February 2. I came to him with some rare disco references and he made it very clear he didn't like them. There wasn't a great deal of understanding.

Sometimes I thought we were on the same level, but then from the production that would come to light, I didn't feel that we were. I wasn't happy with the way some of the demos were sounding", Jackson explained.[9] She also told The Sun that she was displeased with the public perception of her partnership with Langmaid: "I would plainly say in interviews that I play all the parts.

He doesn't even play an instrument but I wouldn't say that because I would never have been that blunt—you can't say anything because it makes you look petty so you end up shutting up. I would say we co- wrote and co- produced but some people would just say he wrote all the parts and he produced—that classic male/female thing which became infuriating.

It did make me quite bitter."[1. In late June, Langmaid responded to Jackson's comments in a statement published in NME magazine, saying, "We've had creative differences in the past (what band hasn't?) but we always got through them and usually the music benefits. I am truly saddened that it has ended this way, but I am immensely proud of what we achieved together. We wrote five great songs together, all of which are on the album. I'm looking forward to the record being a great success and I shall enjoy watching it unfold. I have immense pride in the part I played; no one can take that away from me."[1.

The album was originally recorded with Langmaid in a converted barn in Devon.[3][1. Following Langmaid's departure, engineer Ian Sherwin took over production duties.[5]Composition[edit]Style and influences[edit]Jackson commented in January 2. The type of music I like now is completely different. I don't listen to 8.

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Obviously I still do but not the same type of 8. I've listened to a lot more Italo- disco and old funk", she said.[1. Speaking to Spinner in October 2.

Jackson declared that she did not intend to "make synth music for the rest of [her] fucking life" and that "[t]he whole genre is so over", adding that she wanted the second album to be "more human, more open, warmer".[1. In March 2. 01. 1, Jackson stated that she had been listening to classic disco, Donna Summer, Tom Tom Club and Grace Jones, while expressing that she would like "a more sexual feel to the record, but not in a sex- in- the- club kinda way—the way sexy was before it got made dirty. Sexy can be classy, sexy can be cool, sexy can be actually sexy."[1. Jackson has also cited "weird, late '7. We call it ragga- disco. We're trying to make party tunes out of much slower tempos, which I really like and there's not a lot of in music", she said.[3] She has noted that, unlike the "disco tempo" of her first album, Trouble in Paradise carries a slower tempo,[3] and she considers it to be "a lot warmer" and "a lot sexier".[1.

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Jackson has stated that she played more guitar on the album; [9] she and Ian Sherwin would play guitar and bass guitar, respectively, and "build a rough groove, jam along with it for an hour, find the best bits, and go back to that groove."[3] They aimed to create an album that evoked "what people in the 1. Music and lyrics[edit]Trouble in Paradise combines a variety of music genres such as synth- pop, new wave and disco.[5][1. According to Hugh Montgomery of The Independent, the album replaces the "chilly retro- futurism" of its predecessor with "a lissom tropical- pop sound, complete with funk guitar, calypso rhythms and love among the palm trees",[1. Nick Levine of Time Out London commented that La Roux's new sound incorporates "Chic- like guitar licks and balmy synth parts straight off early MTV".[1. Lyrically, the album discusses themes of sexual identity, desire, independence and codependence.[2.

The album opens with "Uptight Downtown", which Jackson wrote about the 2. London riots, specifically the energy that she perceived in Brixton at the time.[2.

The song blends modern electropop with 1. Critics likened "Uptight Downtown" to Nile Rodgers's guitar work on David Bowie's 1. Let's Dance".[2. 1][2. According to Jackson, "Kiss and Not Tell" is "kind of the feeling of when you're in a relationship and you both know the problems you might come up against maybe five years or 1.

It could be something like 'I hate your mum' or something like that and you know that it's going to be an issue at some point down the line, but you ignore it for the sake of your current love."[2. The song's instrumentation consists of creeping guitars, squealing synthesisers and thumping bass.[2. Cruel Sexuality" is about "1.

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