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Dune (film) - Wikipedia. Dune is a 1. 98. 4 American epicscience fiction film written and directed by David Lynch, based on the 1. Frank Herbertnovel of the same name. The film stars Kyle Mac. Lachlan as young nobleman Paul Atreides, and includes an ensemble of well- known American and European actors in supporting roles. It was filmed at the Churubusco Studios in Mexico City and included a soundtrack by the rock band Toto, as well as Brian Eno.

Set in the distant future, the film chronicles the conflict between rival noble families as they battle for control of the extremely harsh desert planet Arrakis, also known as "Dune". The planet is the only source of the drug melange—also called "the spice"—which allows prescience, and is vital to space travel, making it the most essential and valuable commodity in the universe. After the novel's initial success, attempts to adapt Dune as a film began as early as 1. A lengthy process of development followed throughout the 1. Arthur P. Jacobs, Alejandro Jodorowsky, and Ridley Scott unsuccessfully tried to bring their visions to the screen.

I bet you, like me, took a gander at the cloaks of the Night’s Watch on Game of Thrones and thought “Damn, if they weren’t so flea-infested and covered in the.

Fullmetal Alchemist: Brotherhood anime info and recommendations. The foundation of alchemy is based on the law of e. Dune is a 1984 American epic science fiction film written and directed by David Lynch, based on the 1965 Frank Herbert novel of the same name. The film stars Kyle.

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In 1. 98. 1, executive producer. Dino De Laurentiis hired Lynch as director. The film was negatively reviewed by critics and was a box- office failure, grossing $3. Upon release, Lynch distanced himself from the project, stating that pressure from both producers and financiers restrained his artistic control and denied him final cut privilege. At least three versions have been released worldwide. In some cuts, Lynch's name is replaced in the credits with the name Alan Smithee, a pseudonym used by directors who wished not to be associated with a film for which they would normally be credited. The extended and television versions additionally credit writer Lynch as Judas.

Booth. The film has a cult following but opinion varies among fans of the novel. In the distant future, the known universe is ruled by Padishah Emperor. Shaddam IV. The most important substance in the empire is the drug known as melange or "the spice". It has many special properties, such as extending life and expanding consciousness.

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The most profitable and important of its properties is its ability to assist the Spacing Guild with folding space, which allows safe, instantaneous interstellar travel. Sensing a potential threat to spice production, the Spacing Guild sends an emissary to demand an explanation from the Emperor, who confidentially shares his plans to destroy House Atreides.

The popularity of Duke Leto Atreides has grown through the empire, and he is suspected to be amassing a secret army, which Emperor Shaddam sees as a potential threat to his rule. Shaddam's plan is to give House Atreides control of the planet Arrakis (also known as Dune), the only source of spice.

Once installed on Arrakis, he intends to have them ambushed by their longtime archenemies, the Harkonnens, with assistance from the Emperor's elite troops, the Sardaukar. The Guild Navigator also commands the Emperor to kill Duke Leto's son, Paul Atreides, a young man who dreams prophetic visions of his purpose. The execution order draws the attention of the Bene Gesserit sisterhood, as Paul is tied to its centuries- long Bene Gesserit breeding program which seeks to produce the universe's superbeing, the Kwisatz Haderach. Before he leaves for Arrakis, Paul is tested by the Bene Gesserit Reverend Mother Gaius Helen Mohiam by being forced to place his hand in a box which induces excruciating pain.

To Mohiam's surprise and eventual satisfaction, he passes the test. Meanwhile, on the industrial world of Giedi Prime, the sadistic Baron Vladimir Harkonnen tells his nephews Glossu Rabban and Feyd- Rautha about his plan to eliminate the Atreides by manipulating someone in House Atreides into betraying the Duke. The Atreides leave their homeworld Caladan for Arrakis, a barren desert planet populated by gigantic sandworms. The native people of Arrakis are called the Fremen, a mysterious people who have long held a prophecy that a messiah would come to lead them to freedom. Upon arrival on Arrakis, Leto is informed by one of his right- hand men, Duncan Idaho, that the Fremen have been underestimated, as they exist in vast numbers and could prove to be powerful allies.

Leto begins to gain the trust of the Fremen, but before the Duke can establish an alliance, the Harkonnens launch their attack. While they had anticipated a trap, Harkonnen's traitor within House Atreides, Dr. Wellington Yueh, Duke Leto's personal physician, has disabled critical shields and destroyed their sonic weapons, leaving them nearly defenseless. In the attack, Idaho is killed, Leto is captured, and nearly all of House Atreides is wiped out. While captured, Leto dies in a failed attempt to assassinate the Baron Harkonnen using a poison gas capsule planted in his tooth by Dr. Yueh, who is double- crossed by Baron Harkonnnen and executed by Piter De Vries.

However, Leto's concubine. Lady Jessica and his son Paul survive the attack and are able to escape into the deep desert, where they discover a sietch of Fremen, led by Stilgar. Paul and Jessica are taken in by the Fremen; Jessica becomes their Reverend Mother, and Paul falls in love with Chani, a Fremen warrior he had previously seen in one of his visions. Paul takes on the Fremen name Muad'Dib, and emerges as the leader for whom the Fremen have been waiting.

He teaches the Fremen to build and use Weirding Modules—sonic weapons developed by House Atreides—and begins to target spice mining production, which is back in control of the Harkonnen, overseen by Rabban. Over the next two years, spice production is effectively halted, a fact Rabban tries to keep hidden from the empire. The Spacing Guild returns to the Emperor to warn him of the deteriorating situation on Arrakis. They also fear that Paul will consume the Water of Life, a powerful poison used by the Bene Gesserit to help induce their abilities. The meeting is revealed to Paul in a prophetic dream, but then the dreams suddenly stop.

Shaken by the absence of his visions, he goes out into the desert, drinks the Water of Life and enters into a trance. Upon awakening, he is transformed, obtaining powerful psychic abilities and the ability to control the sandworms.

Paul has also regained his ability to see into space and the future, and learns the Emperor is amassing a huge invasion fleet above Arrakis to wipe out the Fremen and to regain absolute control of the planet. Upon the Emperor's arrival at Arrakis, he executes Rabban for failing to remedy the spice situation, calling in Baron Harkonnen to demand an explanation. At the same time, Paul launches a final attack against the Harkonnens and the Emperor's Sardaukar at the capital city of Arrakeen.

His Fremen warriors, riding in on sandworms and brandishing their sonic weapons, easily defeat the Emperor's legions, while Paul's sister Alia kills Baron Harkonnen. Once in Arrakeen, Paul faces the Emperor and engages Feyd- Rautha in a duel to the death; Paul kills Feyd and relieves Emperor Shaddam of power. Paul then demonstrates his newfound powers and fulfills the Fremen prophecy that he is the promised messiah by causing rain to fall on Arrakis for the first time ever, as Alia declares him to be the Kwisatz Haderach. Production[edit]Early attempts[edit]In 1. Arthur P. Jacobs optioned the film rights to Dune, but died before a film could be developed.[3]Two years later, in 1.

French consortium led by Jean- Paul Gibon, with Alejandro Jodorowsky attached to direct.

Recent Scifi Films That Didn't Need Big Budgets To Be Amazing. Watch Mamma Mia! Online Hulu. Low- budget scifi movies may have had their heyday during Roger Corman’s rise to B- movie greatness in the 1. Here are our favorites from the past few decades. Another Earth (2. Director Mike Cahill (I Origins) and star Brit Marling (The Sound of My Voice, Netflix’s The OA) co- wrote this tale of guilt, grief, and cosmic second chances.

Marling plays a brilliant woman named Rhoda who makes a terrible, tragic mistake: causing a car accident that kills a woman and her unborn child, leaving the woman’s husband, John (William Mapother), physically and mentally devastated. Rhoda makes another terrible mistake when she first tries to set things right, seeking out John but failing to tell him who she really is. But possible redemption comes from an unlikely place: the “mirror Earth” that looms above—represented by a very simple but effective visual effect—where the people and places are identical to those on our planet, with the key difference being that certain crappy life decisions may never have transpired. John Dies at the End (2. This cult horror- scifi comedy from Don Coscarelli (Bubba Ho- Tep, Phantasm) features quite a few outrageous special effects, as well as a cameo from Paul Giamatti, but it was still made for less than a million bucks. Based on David Wong’s novel, it’s about a pair of buddies who experience increasingly bizarre hallucinations and circumstances (alternate dimensions, aliens, etc.) when they encounter a new street drug that’s nicknamed “Soy Sauce.” Eventually, the fate of the world hangs in the balance—and along the way, there’s also an evil supercomputer, a heroic dog, and a monster that cobbles itself together from a freezer full of meat. Computer Chess (2.

Filmed in black- and- white using period- appropriate video cameras, writer- director Andrew Bujalski’s offbeat and intricate study of a computer chess tournament is set in 1. It was actually made in 2. Authentic nerds (not Hollywood nerds) converge on a bland hotel to determine whose program will achieve chess supremacy, though the backstage dramas and micro- dramas outside the competition provide most of the real interest. Though Computer Chess is mostly an awkward comedy, it ventures into scifi when it begins to suggest that one team’s artificial intelligence software is way, way more self- aware than most anyone realizes or is willing to admit. The American Astronaut (2.

Another black- and- white entry, The American Astronaut manages to meld the genres of scifi, Western, and musical. Writer- director Cory Mc. Abee, who once described his work as “Buck Rogers meets Roy Rogers,” also plays the title character—an intergalactic cowboy/rare- goods dealer who becomes entangled in a scheme to deliver a man to the all- female planet of Venus (but it gets way more complicated than that)—and his band, the Billy Nayer Show, provided the tunes. Unsurprisingly, the end result is something completely unique, enhanced by the film’s use of hand- painted, lo- fi special effects in most cases.

Monsters (2. 01. 0)Before Gareth Edwards did Godzilla—and then achieved his lifelong dream of making a Star Wars movie with Rogue One—he worked as a digital effects artist and applied those skills to his first feature, Monsters. As the title suggests, it’s a monster movie, but it’s uniquely set in a world where humans and aliens have been co- existing on Earth for a number of years, and while the tension and fear may not have deflated, the novelty has. Strangers (real- life couple Scoot Mc. Nairy and Whitney Able) team up to re- enter the US from Mexico, but the trip is complicated by a border that has become exponentially more hostile. Edwards, who also wrote the film, did the cinematography, and did the production design, makes the most of a budget that’s just a tiny fraction of what he’d get for his future blockbusters.

Robot & Frank (2. Lonely, technology- averse, and intermittently forgetful retiree Frank acquires a companion robot from his well- meaning son, and soon realizes his new sidekick would be the perfect partner in crime, literally. Robot & Frank is a poignant study of aging, but it also does an incredible job making a robot character (and it is a real, developed character) believably blend into its otherwise fairly typical indie- film landscape.

A winning cast (most prominently Frank Langella as Frank and Peter Sarsgaard as the voice of the robot, though a different actor actually wears the suit) further elevates this inspired effort from first- time director Jake Schreier and first- time screenwriter Christopher D. Ford. 8. Sleep Dealer (2.

In Alex Rivera’s thriller, it’s a future in which illegal immigration between Mexico and the US has been completely outlawed (thanks to a border wall..). However, since the US economy would collapse without a steady stream of people willing to work for nothing, would- be prospective citizens toil in grim factories where they’re physically plugged into virtual reality machines that control robots doing labor stateside. Within this uneasy mix, we meet a man who dreams of hacking into a massive corporation to restore water to his region; a woman who peddles uploaded memories; and a drone pilot who has a crisis of conscience. Sleep Dealer is obviously a politically- minded tale that’s really about globalization, but it also manages to be completely thrilling at the same time. Moon (2. 00. 9)At the very end of a three- year solo stint on the Moon, the man overseeing an automated mining facility (Sam Rockwell)—who has only his AI (voiced by Kevin Spacey) for companionship—realizes he’s not as alone as he once thought. He also starts to suspect that his corporate employers are not as benevolent as he once believed.

Director Duncan Jones (Source Code, Warcraft) is working on another film set in the same universe as Moon, called Mute, which will also have scifi elements though it’ll be set on Earth this time; eventually, he hopes to do a third and make it a trilogy. The Signal (2. 01. College kids on a road trip take a detour to track down their nemesis, a mysterious hacker who lures them to an alien encounter, after which they’re whisked to an apparent government facility that’s experimenting with alien technology.

On humans. Including them. Aside from its imaginative plot, which keeps you guessing until the end (and even then leaves you with a great “Huh?” image), it’s production design that evokes 2. A Space Odyssey and supporting turns by Laurence Fishburne and Lin Shaye that make The Signal especially memorable. Watch Huntin` Buddies Online there. Safety Not Guaranteed (2. Following in the footsteps of Gareth Edwards, director Colin Trevorrow made his feature debut with this budgeted- under- a- million indie before taking on Jurassic World and Star Wars: Episode IX. An intriguing magazine ad seeking a time travel companion (“this is not a joke”) piques the interest of a trio of Seattle journalists (Aubrey Plaza, Jake Johnson, and Karan Soni), who track down the man (Mark Duplass) to see if he’s a nutcase or the real deal—or, as it turns out, kinda both. The script (by Derek Connolly) was inspired by a real (but fake) ad that once ran in Backwoods Home Magazine, a fact which helps ground the film’s quirkiness—as do its performances (Plaza is perfect) and its portrayal of time travel as something ordinary people might explore for their own deeply personal reasons. And yes, there are Star Wars jokes.

The One I Love (2. Yep, another one with Mark Duplass.

This entry was posted on 6/24/2017.