The Game of Thrones Finale Wasn't Perfect, But It Made the Season a Hell of a Lot Better. After six episodes that have been incredible, infuriating, revealing, confusing, and epic, last night’s Game of Thrones finale had a great many things to answer for. They were the answers needed to help recalibrate the show’s uneven seventh season so it ended up greater than the sum of its inconsistent parts—even if that doesn’t equal the show’s best seasons.“The Wolf and the Dragon” had its own problems to be sure—one in particular made me want to actually scream in irritation—the main one of which was its surprising lack of surprises.

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If you’ve been paying a decent amount of attention, you didn’t have to hunt out hacker leaks to form a pretty good idea of what was going to go down in the season finale, but for me, that somehow didn’t make it any less satisfying. If you’re a book reader, you know how the show, having advanced beyond George R. R. Martin’s novels, has been partially satiating our hunger by sporadically giving us the scenes we’ve guessed and hoped were coming. The finale was packed with these scenes, like a Thanksgiving dinner—you know what the meal is going to consist of, but it’s still a feast. It began with a meeting—The Meeting, really—where most all the show’s principal characters came together in the Dragonpit of King’s Landing for Jon Snow’s almost certainly unfeasible attempt to convince Cersei Lannister to help fight the White Walkers and their army of wights. There were three daises set up on the floor of the shattered arena where the Targaryens once imprisoned their dragons. The people sitting in them are as follows: • Cersei, Jaime, Qyburn, Euron Greyjoy, and the Mountain• Jon Snow, Davos, and Brienne• Daenerys, Tyrion, Jorah, Missandei, Varys, and Theon.

And, after several tense moments and several even more tense conversations, there is one person in the center of the all: The Hound, who carries a giant chest by himself. When he opens it, nothing happens—no movement, so sound. And when he kicks the chest over, the wight inside bursts out growling, and runs right for Cersei.

In terms of showing the woman who currently sits on the Iron Throne of the threat that lies beyond the Wall, it honestly couldn’t have worked out any better if they planned it (and it almost makes you wonder if they did). Sandor Clegane yanks the wight’s chain back at the last second, so Cersei gets the most horrifying look possible. When the wight’s attention is focused on him, Sandor cuts the wight in two at the waist, allowing Cersei to see both halves trying to crawl towards someone to attack them.

When the Hound cuts off a hand, Jon Snow picks it up to demonstrate the wights’ weakness to fire—then stabs the torso with a dragonglass dagger, demonstrating its other weakness. All in all, Jon makes his case—so effectively, in fact, that Euron asks Jon if the dead can swim. Watch The Transporter Refueled Streaming on this page. When he answers no, Euron says (and I’m paraphrasing), “I. Am. Outta here.” He announces that he and his fleet are heading back to the Iron Islands, and leaving everyone on the mainland to die. Cersei also recognizes the horrific threat the living face, but she agrees to Daenerys’ request for a truce, and that she’ll send her forces north to fight with Winterfell and Daenerys’ Unsullied and Dothraki to fight the enemy of all of them. If Jon Snow, King of the North, agrees to stay up north and at no point take his soldiers anywhere near the eventual war between herself and Daenerys. Jon explains he can’t do that… because he’s already bent the knee to Daenerys.

And Cersei storms out of the Dragonpit. Jon tells the truth, and dooms humanity. It was as infuriating a moment as anything I’ve ever seen on Game of Thrones. Oh, I know Jon has his honor, and his desire to always do the right thing has gotten him into trouble before, trouble that includes being murdered by his own men.

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But this moment… this is beyond the pale. Knowing the truth would end the nascent truce, negating everything they’d worked so hard for, rendering the death of Dany’s dragon meaningless, and indirectly consigning god knows how many inhabitants of Westeros to death, Jon tells the truth anyway. Davos is pissed. Tyrion is pissed. Daenerys is extra pissed. Jon gives a pretty little speech about how lying is bad and people need to keep their word and blah blah, which might have had an ounce of weight to it if heal so hadn’t been talking for seasons about how the war against the White Walkers was the only thing that matters, nothing else—including Jon’s goddamn honor. Everyone on Team Daenerys and Team Stark knows it, but Jon doesn’t.

It’s a decision so stupid, even for a Stark, it feels like it almost erases everyone’s development over the course of the entire series, like it reset everyone back to the beginning of season one. But the worst thing about it isn’t how dumb it is, but because it’s so selfish—a truth told for his own self- righteousness and self- image, and nothing else, because it certainly doesn’t benefit anyone else. In fact, it leads directly to Tyrion making his own terrible decision: To go see Cersei, the sister who’s tried to have him killed at least twice (that he knows of!), by himself and convince her to return to negotiations. Last week, in my recap of “Beyond of Wall,” I used the headline “Game of Thrones Is at Its Best and Worst Right Now.” I was referring to the show’s powerful ability to give us amazing, epic fantasy scenes unlike anyone has ever before tried of television. What I wasn’t referring to was the show’s original strength—giving us characters of depth, but also scenes between these characters, usually just talking to one another, that made them and Westeros rich and real and so captivating that even people who think stories about dragons and made- up places are dumb have gotten completely invested in the series. Tyrion’s reunion with Cersei is one of those scenes, and, somewhat surprisingly, powered by the characters’ honesty wth each other. Cersei’s still mad that Tyrion killed their father, but more upset that he left the Lannister family so vulnerable that their enemies felt bold enough to kill Myrcella and wrest control of King’s Landing from her, eventually leading to Tommen’s suicide.

Tyrion explains the reason he follows Daenerys is because she actually wants to make the world a better place, while Cersei only cares about her ever- shrinking list of who she considers family. Tyrion baits Cersei and tells her to have the Mountain, looming behind him, to kill him (when Cersei doesn’t, he pours himself a large glass of wine). Cersei reveals she’s pregnant. The two will never love each other, but they end up making their own sort of truce together.

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Or so it seems. “The Wolf and the Dragon” is filled with these sorts of wonderful, character- driven scenes, more than the entire rest of the season put together. It’s as if season seven was sprinting through the plot for the first six episodes, in order to make sure it had plenty of time for these scenes after virtually all the main characters got together in one place. I’d argue Tyrion and Cersei’s reunion is the highlight of the episode, but here’s a few more of them, some large, some small, all gratifying: Brienne discovers the Hound is still alive, and the two of them share a small smile over what an ass- kicker Arya has become. Tyrion gets a few moments with Bronn (reminding him of his eternal offer to him: “I’ll pay double”) and his former squire Podrick.

Tangled - Wikipedia. Tangled is a 2. 01. American 3. Dcomputer- animatedmusicalcomedyadventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. Loosely based on the German fairy tale "Rapunzel" in the collection of folk tales published by the Brothers Grimm, it is the 5. Disney animated feature film.

Featuring the voices of Mandy Moore, Zachary Levi and Donna Murphy,[5] the film tells the story of a lost, young princess with long magical hair who yearns to leave her secluded tower. Against her mother's wishes, she accepts the aid of an intruder to take her out into the world which she has never seen. Before the film's release, its title was changed from Rapunzel to Tangled, reportedly to market the film as gender- neutral.[3]Tangled spent six years in production at a cost that has been estimated at $2. The film employed a unique artistic style by blending together features of computer- generated imagery (CGI) and traditional animation while using non- photorealistic rendering to create the impression of a painting. Composer Alan Menken, who had worked on prior Disney animated features, returned to score Tangled.

Tangled premiered at the El Capitan Theatre on November 1. November 2. 4. The film was well received by critics and audiences. The film earned $5. United States and Canada. The film was nominated for a number of awards, including Best Original Song at the 8. Academy Awards. The film was released on Blu- ray and DVD on March 2.

Tangled Ever After, was released later in 2. Long ago, a drop of sunlight became a golden flower capable of healing illness, decay, and injury. Hundreds of years later, the flower is still used by Mother Gothel to retain her youth, until soldiers from nearby kingdom, Corona, steal it to heal their ailing queen. Shortly afterwards, the Queen gives birth to Princess Rapunzel. While attempting to recover the flower, Gothel discovers that Rapunzel's hair contains the flower's healing properties, and that cutting her hair destroys its power.

Gothel takes the baby and raises her as her own daughter in an isolated tower. Once a year, the King and Queen release sky lanterns on Rapunzel's birthday, hoping for their daughter's return.

On the eve of her 1. Rapunzel requests to leave the tower and discover the source of the lanterns, but Gothel refuses, claiming that the outside world is a dangerous place. Meanwhile, thief Flynn Rider steals Rapunzel's crown from the kingdom and inadvertently discovers the tower after ditching his allies, the Stabbington brothers. Rapunzel captures Flynn and discovers the crown, but is unaware of its significance. Rapunzel plans to take Flynn to Gothel to prove she can take care of herself, but before she can do so, Gothel becomes angry, quickly silencing Rapunzel. Rapunzel then asks for a special paint that will take Gothel three days' round trip to obtain and return, and Gothel accepts.

Rapunzel convinces a reluctant Flynn to escort her to see the lanterns in exchange for the crown. Flynn takes Rapunzel to the Snuggly Duckling, a pub filled with frightening thugs, but who instead are charmed by Rapunzel's innocence. Royal soldiers led by one of the royal army's lead horses, Maximus, arrive in search of Flynn. Rapunzel and Flynn escape but are then trapped in a flooding cave. Resigned to his fate, Flynn reveals his real name: Eugene Fitzherbert.

Rapunzel starts to reveal that her hair glows when she sings, but then realizes that this is their key to escape. Her hair provides enough light to find a way out of the cave. Eugene and Rapunzel take refuge in a forest where Gothel, now in league with the Stabbingtons, gives the crown to Rapunzel and suggests using it to challenge Eugene's interest in her. Maximus finds the pair and tries to capture Eugene, but Rapunzel arranges a truce in honor of her 1. The group reaches the kingdom and enjoys the festivities, culminating in an evening cruise as the lanterns are released. There, Rapunzel gives Eugene the crown. When he sees the Stabbingtons on the shore, Eugene leaves Rapunzel and intends to hand them the crown.

Instead, the brothers tie Eugene onto a boat and confront Rapunzel, saying that Eugene is escaping with the crown. Gothel sets a rescue by betraying the brothers and returns Rapunzel to the tower as Eugene and the Stabbingtons are captured. Back home, Rapunzel recognizes the symbol of the kingdom, which she had subconsciously incorporated into her paintings over the years. Realizing that she is the long- lost princess, she confronts Gothel. As Eugene is sentenced to death, the Duckling regulars help him escape. He is then carried back to Gothel's tower by Maximus. Eugene enters by climbing Rapunzel's hair, only to find Rapunzel bound and gagged.

Gothel stabs Eugene and attempts to escape with Rapunzel, but Rapunzel agrees to lifelong captivity if she is allowed to heal Eugene. As Eugene slowly dies, he slices off Rapunzel's hair, destroying its magic and causing Gothel's age to catch up with her, then tripping out the window of the tower, turning into dust as she falls. A heartbroken Rapunzel grieves for Eugene. However, her tears, which still contain a bit of the sun's power, land on his cheek and restore his life.

The two return to the kingdom and Rapunzel reunites with her parents. The kingdom breaks out in celebration, and Eugene is pardoned for his crimes.

Rapunzel and Eugene eventually marry. Voice cast[edit]Non- speaking animal characters include Rapunzel's pet chameleon Pascal, and Maximus, the horse of the head of the palace guard.

Other non- speaking roles include Rapunzel's parents (the King and Queen of Corona), the other Stabbington brother, and Ulf the Mime Thug. Development[edit]Origins and conception[edit]Glen Keane, the film's original director, first began working on the story for what became Tangled about 1.

In October 2. 00. Rapunzel Unbraided,[1. Keane described as "a Shrek- like version of the film"[1.

Keane said of the original plot, "It was a fun, wonderful, witty version and we had a couple of great writers. But in my heart of hearts I believed there was something much more sincere and genuine to get out of the story, so we set it aside and went back to the roots of the original fairy tale."[1. In November 2. 00. Unbraided was pushed back to a summer 2. Keane "more time to work on the story."[1. According to Ed Catmull, at one point Michael Eisner himself had proposed using modern- day San Francisco as the initial setting at the start of the film and then somehow transporting the heroine into a fairy tale world, but Keane could not make that idea work.[1.

The film was shut down about a week before Catmull and John Lasseter were placed in charge of the studio in January 2. Keane to keep going with the film.[1. It had originally been announced in April 2.

Annie- nominated animator and story artist Dean Wellins would be co- directing the film alongside Glen Keane.[1. On October 9, 2. 00. Keane and Wellins had stepped down as directors due to other commitments, and were replaced by the team of Byron Howard and Nathan Greno, director and storyboard director, respectively, of Disney's 2. Bolt. Keane stayed on as an executive producer and animation supervisor, while Wellins moved on to developing other short and feature films.[1. After the film's release, Keane revealed that he had "stepped back" from the role of director because of a heart attack in 2.